Bio
Lisa Hall is a London based sound artist exploring urban environments using audio interventions and performative actions. Interrupting behaviour and questioning design, these works aim to make space for something new.
CRiSAP | Bicrophonic Research Institute
CRiSAP | Bicrophonic Research Institute
CV
Selected Exhibitions / Performances / Talks
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2021
Environmental Bike Lab, with The Bicrophonic Research Institute (BRI), Sonic Arts Week, Auxiliary Gallery, July 202 Commission, People's Park Plinth, Furtherfield Gallery, London, May 2021 Rewire Festival, Netherlands, May 2021 Sustainable Sound, CESSA, Concordia University’s Electroacoustic Studies Student Association, Canada, April 2021 Acts of Air - scores workshop, Sound Making Space research hub, Bartlett School of Architecture, March 2021 Into the Wild, Conference, Royal Institution of Great Britain, Feb 2021 100'000hz, Composite by Numbers online exhibition, coming soon in Feb 2021 Artist Workshop, TOMA, Southend on Sea, Feb 2021 2020 Acts of Air - scores workshop, Sound Practice Research Unit, Goldsmiths, University of London, Dec 2020 Radiophrenia, with Shortwave Radio Collective and Hannah Kemp-Welch, Glasgow’s Centre for Contemporary Arts, Nov 2020 Acts of Air - scores workshop and listening group, MA Sound Arts, London College of Communication, Oct 2020 Journal Article in Unlikely, issue 6, 'Hearing a Possible World in the Crackling of Dry Leaves' written with Salomé Voegelin Environmental Sonic Bike Lab, Bicrophonic Research Institute (BRI) at Lisboa Soa Festival, Lisbon, Portugal, Sept 2020 Artist talk - interview with Philip Samartzis, School of Fine Arts, RMIT University, Melbourne Australia, Sept 2020 Acts of Air: Reshaping the Urban Sonic, online exhibition and Launch events, CRiSAP's Un-Earthed Festival, July 2020 and ongoing. Artist Residency, with the Bicrophonic Research Institute (BRI), Auxiliary Gallery, Middlesbrough. Feb 2020 2019 Translating Ambiance, Exhibition and collaboration with Salomé Voegelin. Melbourne, Australia. Sept 2019 CAST OUT LOUD: Rupture, Vibration And Residue - Contemporary Sound Art Theory And Practice, RMIT University - CAST Research Group, Melbourne, Australia, 15 May 2029 Radiophrenia, Radio - Glasgow’s Centre for Contemporary Arts, May 2019 LIVE* from CICADA, CICADA Gallery, Utah, USA, April 2019 Reel Lives, concert, CRiSAP, UK, 30 January 2019 2018 Artist Residency, Indian Sonic Research Organisation (ISRO), Bangalore, India, December 2018 Workshop & talk at Sound Reasons Festival, Korean Cultural Centre, New Delhi, India, 15 November 2018 Sound Reasons Festival, Korean Cultural Centre, New Delhi, India, 26 Oct - 21 Nov 2018 Unfinished Descriptions, Hundred Years Gallery, London, September 2018 It Sounds Devicive!, Bath, 25 May - 10 June Soundling Festival, London, 11 March 2018 City Sonic Places: experiencing the urban soundscape, Elephant & Castle, London, 2 Feb 2018 2017 Uniqlo Tate Late, Tate Modern, 27 Oct 2017 Herstories: Rewriting Music History Edit-a-thon, Somerset House, with Cathy Lane, 2017 Sound Art workshop, London College of Communication, July & August 2017 Sound + Environment conference, University of Hull, 29 June – 2 July 2017 Uniqlo Tate Late - International, Tate Modern, 30 June 2017 Sound Art Workshop, V&A Museum, 2 & 3 June 2017 Inclusive Creativity: Digital Practices symposium at Walled City Music Festival, Derry, 31 May 2017 SoundCamp, London, 6 & 7 May 2017 LCC Spring Research Symposium, London College of Communication, March 2017 Connecting Columns, Kochi-Muziris Biennale 2016, group CRiSAP exhibition in conjunction with Srishti Institute of Art, Design and Technology, March 2017 Profound Sound, Folkestone, Feb 2017. 2016 Daily Concerns Research Symposium, Keynote talk, London College of Communication & Dilton Grove, Dec 2016. More. Artist talk, Royal College of Art, Nov 2016. Animal Sounds, Resonance FM, Nov 2016. Natural Histories: Cricket, BBC Radio 4, Nov 2016. More. Sound Traces Moves conference, Gesellschaft für Tanzforschung (Society for Dance Research), Salzburg, Austria, Nov 2016 Audio Interventions, workshop, V&A Museum, London, Oct 2016. More. Temporary Autonomous Zones, Nerve Centre, ISSTA, Derry, Sept 2016. More. Digital Revolution conference Culture NUM, Bicrophonics Presentation, Festival Aix en Provence, July 2016. Either / Or, Collaborative performance with Hannah Kemp-Welch, FirstSite Gallery, May 2016 Framework Radio, Walking with Crickets documentation by Richard Bentley, May 2016. More. Points of Listening, London College of Communication & CRiSAP, April 2016. Profound Sound, Folkestone, Feb 2016. 2015 Animals March, The Bicrophonic Research Institute (BRI), London, Dec 2015 Sound Passages: passaggi di suono', Symposium, presentation, The Architecture University of Venice (IUAV) & CRiSAP, Venice, 2015 We Built This City, London, 2015 The Summer Pedalling Games, The Bicrophonic Research Institute (BRI), London Fields, 2015 Capsule, Embassy Tea Rooms, London, 2015 Spectacle of the Species, V&A Museum, London, 2015 Rubens: Decrypted, Royal Academy, London, 2015 Christian Marclay, Fluxus scores, White Cube Gallery, London, 2015 House on Haunted Hill, One of Us, St Pancras Hotel clock tower, London, 2015 Homespun, Duvet Days, London, 2015 2014 Audio Roulette, Folkestone Triennial, Curated Fringe, Folkestone, 2014 Journey, Arebyte Gallery, London, 2014 Audio Roulette, Soundry, 2014 2013 Profound Sound, The Forum, Kent, 2013 Radio Civic, Lisbon Architecture Triennale Close, Closer, Lisbon, 2013 All in One, Chelsea College of Arts, London, 2013 2012 Seduction, Simon Oldfield Gallery, London, 2012 End of the World, Cafe Oto, London, 2012 The Furguson Gang, National Trust Shalford Mill, (collaboration with Collective#), Surrey, 2012 2011 Framework Afield, Resonance FM and Framework Radio, 2011 Speculum Artium, with the Silent Awkwardstra, Slovenia, 2011 Sandbox, Whitechapel galley, with the Silent Awkwardstra, London, 2011 The Quiet and the Still, George house Gallery, Kent, 2011 2010 Guises of Listening, London College of Communication, London, 2010 Brixton Electric, with Silent Awkwardstra, London, 2010 Muzak, Selfridges and Wolf & Badger, with Silent Awkwardstra, London, 2010 Silent Awkwardstra, Big Chill Festival, Herefordshire, 2010 Art Car Boot Fair, Brick Lane, London, 2010 Trunk Calls, London College of Communication, London, 2010 Space and Significance, George House Gallery, Folkestone, Kent, 2010 AlTurnertive, Crate Space, Margate, Kent, 2010 2009 15 Minute Factory, Rag factory, London, 2009 Art Car Boot Fair, Brick Lane, London. 2009 AlTurnertive, Crate Space, Margate, Kent, 2009 Deal Pier Sounds, Folkestone Fringe & Deal Music Festival, Deal, Kent, 2009 2008 Electric Blue, Bargehouse OXO Tower, London Marvello Project, Folkestone Triennial, sound piece in Kaffe Matthew's Sonic Bikes work, Kent, 2008 Margate Rocks, Various venues, Margate, Kent, 2008 University for the Creative Arts, Canterbury, Kent, 2008 2007 Ear of the Storm, Whitstable Biennale, Kent, 2007 Celestial Radio, Whitstable Biennale, Kent, 2007 Ear of the Storm, CSR Radio, Radio, 2007 11 seconds, Kaleidoscope Gallery, Sevenoaks, 2007 Hugging for the English, Crate Space, Margate, Kent, 2007 Sound Score, Canterbury city centre, Kent, 2007 |
Selected Employment
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CRiSAP Creative Research into Sound Arts Practice, Administrator, 2014-current Bicrophonic Research Institute, Event Support & Communications, 2014-current London College of Communication, Web Coordination and Analytics 2014-Current Chelsea College of Arts, Web Coordination & Marketing, 2012-2014 For more, see LinkedIn |
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Education
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MA Sound Arts, London College of Communication, 2010 BA Fine Art, First Class Honours, Kent Institute of Art and Design, 2006 For more, see LinkedIn |