Bio
Lisa Hall is a sound artist and researcher working across London and Brighton, exploring urban environments as a context for everyday sonic communications, connections and entanglements. Collaborative and solo projects are often sited, relational and participatory, staged as walks, rides, workshops, performances, curations, writings, interventions and sound installations. Lisa explores how sound is, or could be, part of everyday living, asking what holds sonic behaviours and hearings in place, and how else this could be.
Working with The Bicrophonic Research Institute since 2008, Lisa contributes to sonic cycling projects and is currently collaborating on air pollution sonification works. With international feminist radio group, Shortwave Collective, who formed remotely during the pandemic, Lisa regularly collaborates on creative experimentation and learnings around radio practice. Lisa has worked at CRiSAP, Creative Research into Sound Arts Practice research centre at University of the Arts London since 2014 - supporting the research activities of the centre, producing numerous international conferences and creative events (including Wild Energies conference, Un-Earthed Festival, Sound::Gender::Feminism::Activism (SGFA) 2016 conference, SGFA 2014 conference, SGFA Zine), (co)leading a series of urban sound projects (Acts of Air exhibition, Sound, Art & Urban Spaces symposium, City Sonic Places artworks) and supporting AHRC research projects Sounding Knowledge, Listening Across Disciplines and Sound Matters.
Lisa has presented work with many arts organisations and at numerous conferences and in academic journals and is regualrly awarded London College of Communication Research Funds. Having recently completed a year with Arts Council Developing Your Creative Practice funding, Lisa is now working on a PhD in urban sound practices at University of Oxford as part of the SONCITIES research project.
SONCITITES | University of Oxford | CRiSAP | Bicrophonic Research Institute | Shortwave Collective
Working with The Bicrophonic Research Institute since 2008, Lisa contributes to sonic cycling projects and is currently collaborating on air pollution sonification works. With international feminist radio group, Shortwave Collective, who formed remotely during the pandemic, Lisa regularly collaborates on creative experimentation and learnings around radio practice. Lisa has worked at CRiSAP, Creative Research into Sound Arts Practice research centre at University of the Arts London since 2014 - supporting the research activities of the centre, producing numerous international conferences and creative events (including Wild Energies conference, Un-Earthed Festival, Sound::Gender::Feminism::Activism (SGFA) 2016 conference, SGFA 2014 conference, SGFA Zine), (co)leading a series of urban sound projects (Acts of Air exhibition, Sound, Art & Urban Spaces symposium, City Sonic Places artworks) and supporting AHRC research projects Sounding Knowledge, Listening Across Disciplines and Sound Matters.
Lisa has presented work with many arts organisations and at numerous conferences and in academic journals and is regualrly awarded London College of Communication Research Funds. Having recently completed a year with Arts Council Developing Your Creative Practice funding, Lisa is now working on a PhD in urban sound practices at University of Oxford as part of the SONCITIES research project.
SONCITITES | University of Oxford | CRiSAP | Bicrophonic Research Institute | Shortwave Collective
CV
Education
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Press, Reviews, features
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Exhibitions, Live
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Curation
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Conferences, Symposiums, Writing
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Workshops, Teaching, Talks
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Residencies
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Selected Employment
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For more, see LinkedIn |
Research Project Production / Coordination
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